Surveillance, Security, and Neo-noir Film: Spike Lee’s ‘Inside Man’ As a 9/11 Counter-narrative

نویسندگان

چکیده

After the 9/11 terrorist attacks of 2001, a patriotic narrative permeated all aspects US society. Planned and executed by George W. Bush administration reproduced media other social institutions, War on Terror society with little opposition. A few weeks after attacks, Congress passed Patriot Act, bill that redefined security surveillance in United States. The new act contributed to erosion civil rights. This article analyzes how Spike Lee’s Inside Man (2006), film critics interpreted as commercial thriller when it was launched, employs resources from noir neo-noir construct counter-narrative surveillance. Through plot causes confusion, distinct visual style, typically role hero, hidden references theme, borrows elements classical eighties take firm stand against response attacks. movie removes mask dominant showing structurally corrupt system.

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ژورنال

عنوان ژورنال: Tripodos

سال: 2022

ISSN: ['1138-3305', '2340-5007']

DOI: https://doi.org/10.51698/tripodos.2021.51p109-128